{"id":1168,"date":"2025-04-29T23:21:26","date_gmt":"2025-04-29T21:21:26","guid":{"rendered":"https:\/\/spinningstories.uni-ak.ac.at\/?p=1168"},"modified":"2026-04-13T00:08:34","modified_gmt":"2026-04-12T22:08:34","slug":"literature-geografien-des-textilen-lehren-als-kunstlerische-praxis-by-barbara-putz-plecko","status":"publish","type":"post","link":"https:\/\/spinningstories.uni-ak.ac.at\/index.php\/2025\/04\/29\/literature-geografien-des-textilen-lehren-als-kunstlerische-praxis-by-barbara-putz-plecko\/","title":{"rendered":"Literature &#8211; Geografien des Textilen by Barbara Putz-Plecko"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Karin Altmann<\/h4>\n\n\n\n<p>Barbara Putz-Plecko\u2019s <em>Geografien des Textilen \u2013 Lehren als k\u00fcnstlerische Praxis<\/em> (Geographies of Textiles &#8211; Teaching as Artistic Practice) is a rich publication with 384 pages and 300 illustrations that documents and reflects on 26 years of artistic teaching and research at the Textile Department of the University of Applied Arts Vienna. It documents the diversity of cultural techniques and fields of textile production, the spaces of reflection in the context of teaching art and the variety of artistic practices that artists contribute as teachers. The book positions itself at the intersection of artistic research, pedagogy, and textile studies, offering a multifaceted exploration of how textile practices function as both material and conceptual knowledge systems.<\/p>\n\n\n\n<p>At its core, the book asks a fundamental question: how can teaching be understood \u201cfrom art\u201d rather than merely about art? This shift in perspective is crucial. The volume frames textiles as a dynamic field of inquiry, where making, thinking, and teaching are deeply interwoven.<\/p>\n\n\n\n<p>One of the book\u2019s strongest aspects is its collective structure. It brings together contributions from numerous artists, educators, and researchers, each offering case studies, reflections, and artistic projects. This polyphonic approach mirrors the very nature of textile production: layered, relational, and assembled from multiple threads of meaning. The reader is not guided through a single authoritative argument but rather through a network of perspectives that challenge linear academic discourse. According to the publisher\u2019s description, the contributions document diverse \u201ctextile cultural techniques and fields of production\u201d as well as the reflective spaces emerging within artistic education contexts, highlighting how artists-as-teachers reshape pedagogical practices through their creative methodologies.<\/p>\n\n\n\n<p>A key intellectual contribution of the book lies in its reframing of pedagogy as an artistic practice in itself. Teaching is not treated as a secondary application of artistic knowledge but as an active site of production and experimentation. This perspective aligns with broader developments in artistic research, where process, collaboration, and critical reflection are valued as much as finished works. The book demonstrates how textile-based practices can serve as epistemological tools for understanding the world differently.<\/p>\n\n\n\n<p>Visually and materially, the publication also reflects its subject matter. With extensive illustrations and a carefully designed layout, it embodies the tactile sensibility it discusses. The book becomes an object of material culture in its own right, reinforcing the idea that knowledge in textile art is not purely conceptual but also sensorial and embodied.<\/p>\n\n\n\n<p>With contributions from: Karin Altmann, Mehdi Aminian, Manora Auersperg, Gerald Bast, Marietta B\u00f6ning, Heidi Call, Danica Daki\u0107, Dobrila Denegri, Ebba Frans\u00e9n-Waldh\u00f6r, Susanne Frantal, Flying Carpet, Gangart, Alice G\u00f6tz, Barbara Graf, Susanne Gobl, Katharina Heinrich, Paul-Reza Klein, Ebru Kurbak, Uli K\u00fchn, Eva Lachner, Walter Lunzer, PRINZpod, Barbara Putz-Plecko, Wilbirg Reiter-Heinisch, Katharina Sabernig, P. Michael Schultes, Kristoffer Stefan, Konrad Strutz, Eva Sturm, Manuel Wandl, Robert Zimmermann<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"1195\" src=\"https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8437-768x1024.jpg\" alt=\"\" class=\"wp-image-1195\" srcset=\"https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8437-768x1024.jpg 768w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8437-225x300.jpg 225w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8437-1152x1536.jpg 1152w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8437-1536x2048.jpg 1536w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8437-1240x1653.jpg 1240w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8437-508x677.jpg 508w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8437-scaled.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"1194\" src=\"https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8438-768x1024.jpg\" alt=\"\" class=\"wp-image-1194\" srcset=\"https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8438-768x1024.jpg 768w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8438-225x300.jpg 225w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8438-1152x1536.jpg 1152w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8438-1536x2048.jpg 1536w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8438-1240x1653.jpg 1240w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8438-508x677.jpg 508w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8438-scaled.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"767\" height=\"1024\" data-id=\"1196\" src=\"https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8443-1-767x1024.jpg\" alt=\"\" class=\"wp-image-1196\" srcset=\"https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8443-1-767x1024.jpg 767w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8443-1-225x300.jpg 225w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8443-1-768x1025.jpg 768w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8443-1-1151x1536.jpg 1151w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8443-1-1240x1655.jpg 1240w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8443-1-508x678.jpg 508w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2025\/04\/IMG_8443-1.jpg 1435w\" sizes=\"auto, (max-width: 767px) 100vw, 767px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"874\" height=\"1024\" data-id=\"1187\" src=\"https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2026\/04\/Bildschirmfoto-2026-04-12-um-23.39.13-874x1024.png\" alt=\"\" class=\"wp-image-1187\" srcset=\"https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2026\/04\/Bildschirmfoto-2026-04-12-um-23.39.13-874x1024.png 874w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2026\/04\/Bildschirmfoto-2026-04-12-um-23.39.13-256x300.png 256w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2026\/04\/Bildschirmfoto-2026-04-12-um-23.39.13-768x899.png 768w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2026\/04\/Bildschirmfoto-2026-04-12-um-23.39.13-1312x1536.png 1312w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2026\/04\/Bildschirmfoto-2026-04-12-um-23.39.13-1240x1452.png 1240w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2026\/04\/Bildschirmfoto-2026-04-12-um-23.39.13-508x595.png 508w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2026\/04\/Bildschirmfoto-2026-04-12-um-23.39.13.png 1414w\" sizes=\"auto, (max-width: 874px) 100vw, 874px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1024\" data-id=\"1182\" src=\"https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2026\/04\/Bildschirmfoto-2026-04-12-um-23.30.17-724x1024.png\" alt=\"\" class=\"wp-image-1182\" srcset=\"https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2026\/04\/Bildschirmfoto-2026-04-12-um-23.30.17-724x1024.png 724w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2026\/04\/Bildschirmfoto-2026-04-12-um-23.30.17-212x300.png 212w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2026\/04\/Bildschirmfoto-2026-04-12-um-23.30.17-768x1086.png 768w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2026\/04\/Bildschirmfoto-2026-04-12-um-23.30.17-1086x1536.png 1086w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2026\/04\/Bildschirmfoto-2026-04-12-um-23.30.17-508x719.png 508w, https:\/\/spinningstories.uni-ak.ac.at\/wp-content\/uploads\/2026\/04\/Bildschirmfoto-2026-04-12-um-23.30.17.png 1100w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/figure>\n<\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Karin Altmann Barbara Putz-Plecko\u2019s Geografien des Textilen \u2013 Lehren als k\u00fcnstlerische Praxis (Geographies of Textiles &#8211; Teaching as Artistic Practice) is a rich publication with 384 pages and 300 illustrations that documents and reflects on 26 years of artistic teaching and research at the Textile Department of the University of Applied Arts Vienna. It documents [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1177,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17,10,32,14],"tags":[],"class_list":["post-1168","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-angewandte","category-knowledge-transfer","category-literature","category-reflection-and-dissemination"],"_links":{"self":[{"href":"https:\/\/spinningstories.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/posts\/1168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/spinningstories.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/spinningstories.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/spinningstories.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/spinningstories.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/comments?post=1168"}],"version-history":[{"count":13,"href":"https:\/\/spinningstories.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/posts\/1168\/revisions"}],"predecessor-version":[{"id":1198,"href":"https:\/\/spinningstories.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/posts\/1168\/revisions\/1198"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/spinningstories.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/media\/1177"}],"wp:attachment":[{"href":"https:\/\/spinningstories.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/media?parent=1168"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/spinningstories.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/categories?post=1168"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/spinningstories.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/tags?post=1168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}